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extremely thin, delicate paper bowl with wasp paper on exterior affixed to thin white paper substrate; small flat base with widely-flaring sides

%C2%A9 Kay Sekimachi

Untitled, 1997

Kay Sekimachi

G302

handmade paper; housed loose in a black buckram and paper portfolio; artist's book. Portfolio cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man in the middleground naked from the waist up; he sits in a chair facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" inscribed, UC

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward while he cuts his own hair; the words "Haircut" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Haircut", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/a seashell./Learning Patience" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell, Learning Patience", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; his legs turned slightly to the viewer's R; the words "Forgiving" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; the words "May 1987" inscribed, UC

%C2%A9 Nicolas Africano

Study for "May 1987", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He laughed" inscribed, UC

%C2%A9 Nicolas Africano

Study for "He Laughed", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind him as he walks; the words "March 1988/He tried to carry something too large./He felt like he was falling" inscribed, UC

%C2%A9 Nicolas Africano

Study for "March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; the words "Reading Wessex Heights/August 1987..." scrawled in UR quadrant, followed by a citation from the poem (Wessex Heights, 1896)

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights, August 1987," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He Laughed" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "He Laughed," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind him while he walks; the words "He tried to carry something/too big. He felt like he would fall." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "March 1988-He Tried to Carry Something too Large, He Felt Like He was Falling," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; "May 1987/Lilacs and Smoke" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "May 1987," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly PL; the words "July Among Sparrows." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "July Among Sparrows," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/A Seashell/Learning Patience" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell, Learning Patience," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair, smokes a cigarette; his legs turned slightly to the right; the words "Forgiving" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Forgiving," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object PL; a trunk-like projection on PR; the words "An Occasion for Hope." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in full view wearing nothing but a towel around his waist; he stands facing in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "I'm Cold BIlly, Can't Stop Shaking," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
A man in long pants, naked from the waist up; he sits in a chair, facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward while he cuts his own hair; "Haircut" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Haircut" from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
black and white etching; rear view of a man on a white horse in a field; tower or wall along right edge of scene; strands of long hair in URC

%C2%A9 David Hockney

Rapunzel, Rapunzel, Let Down your Hair, 1969 (published 1970)

David Hockney

Not on View
black and white etching of a seated woman wearing a long dress and holding a piece of cloth in her PL hand, a single tear coming from her PR eye; small, hairy man on the right with arms outstretched toward seated woman; small shallow ledge in background with three pieces of fruit on center of the ledge

%C2%A9 David Hockney

Pleading for the Child, 1969 (published 1970)

David Hockney

Not on View
black and white etching of a court yard; varieties of foliage grouped into squared off sections; small tree with four leaves/ branches in middle left edge; dark textured conical shape in center; small window and peaked tower in ULQ; woman gazing out the window into the courtyard

%C2%A9 David Hockney

Rapunzel Growing in the Garden, 1969 (published 1970)

David Hockney

Not on View
black and white etching; interior view with windows on right side; large pile of hay in center, filling the room from floor to ceiling

%C2%A9 David Hockney

A Room Full of Straw, 1969 (published 1970)

David Hockney

Not on View
black and white etching of a landscape scene; small house on top of a rising hillside; tree on left edge; small, bare tree in LRQ

%C2%A9 David Hockney

A Wooded Landscape, 1969-70

David Hockney

Not on View
black and white etching of a dark, non-descript room; figure covered with a white sheet stands to the PL of a short, male figure with dark pants and a white shirt, PL hand in the pocket of his pants

%C2%A9 David Hockney

The Sexton Disguised as a Ghost Stood Still as Stone, 1969 (published 1970)

David Hockney

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standing clown pulling his baggy knickers away from his body at each hip; clown wears pointed cap and horizontally striped socks and stands in front of a curtain with tassels at right; text above and below figure: "EL CLOWN MEXICANO / GUADERO / No. 6 / PUBLICADO / POR / A. VANEGAS ARROYO. / MEXICO. POSADA"

El Clown Mexicano (Mexican Clown), plate 1 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Printer: Taller de Grafica Popular, Mexico City; Publisher: La Estampa Mexicana, Mexico

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demons with monkey-like faces with horns and tails at right; many crosses at left with woman seen from back riding on a deer

IlustraciĂłn para un Cuento (Illustration for a Song), plate 2 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

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image in a rondel of three men looking at two women seen from back wearing sandwhich boards; board of woman at center reads, "TE / VOLVI / A / VER"; text at top: "12 / COLECCION / DE / CANCIONES / PARA / 189"

Te volvi a ver (I saw you again), plate 3 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

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two bearded standing men wearing long coats, vests and bow ties, with their arms around each other's shoulders; man at left holds a stemmed drinking glass; four other men seated at a table at left; text at top and bottom: "EL BRINDADOR / POPULAR / GUADERNO / NO. 3. / PUBLICADO / POR / A. VANDEGAS ARROYO. / MEXICO"

El Brindador Popular (The Toast), plate 4 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
standing musicians wearing uniforms, playing horns and saxophones

La Banda (The Band), plate 5 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
three men wearing hats and coats at left, speaking with an old woman who holds her hand up to the face of the centermost man; man wearing a sombrero behind woman; text at top and bottom: "GALERIA DEL / TEATRO INFATIL / COLECCION / DE COMEDIAS / PARA / NINOS O TITRES / LOS GENDARMES / EDITOR / A. VANECAS ARROYO / MEXICO"

Los Gendarmes (The Police), plate 6 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
three men wearing knickers and wide-brimmed hats sweeping; man drinking inside a doorway at left; other figures in background observing sweepers; text at top and bottom: "14 / COLECCION / 18 / DE CANCIONES MODERNAS. / EDITOR A. VANEGAS / ARROYO."

Los Patinadores (The Sweepers), plate 7 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
two women and three men, with three of the figures holding rounded objects in the air (paddles?) funning in front of a huge dark-skinned head with flames extending from its mouth; mouth has fangs; women in foreground wear skirts, aprons, white stockings and hats with feathers; three men wear knickers, tunics and white stockings--one man seen from back wears a cape; text at top and bottom: "EL TESTERAZO DEL DIABLO / JUGUETTE PASTORIL / EN UN AGYO / EDICION / DE / A. VANEGAS / ARROYO / MEXICO"

El Testarazo del Diablo (Testing the Devil), plate 8 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

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startled man at right holding a cane in his PL hand and carrying a pack on his back by a strap over his shoulders; skeleton wearing a cape and a hat approaching man from left; text at top and bottom: "EL DOCTOR / IMPROVISADO / CUENTO / EDITOR / A. VANEGAS ARROYO. MEXICO."

El Doctor Improvisado (The Quack Doctor), plate 9 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
old woman with a hooded cloak seated in a chir at right, accompanied by a standing woman wearing a similar cloak; seated man at left; large bookcase behind figures; text at top and bottom: "GALERIA DEL TEATRO INFANTIL / EL CONSULTORIO MEDICO. / PROPIETARIO / A. VANEGAS ARROYO MEXICO"

El Consultorio MĂ©dico (The Consultation), plate 10 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

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terrified young girl with curly dark hair, crouching on one knee in LRC while pushing away a black cloaked figure rushing toward her, with one hand on her head and one hand on her chin

IlustraciĂłn para un Cuento (Illustration for a Story), plate 11 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
small funeral procession viewed from above, with four pallbearers carrying black coffin with white cross and four men walking behind

El Sepelio (The Burial), plate 12 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
man dressed as clown wearing tiny hat, large collar, tall buttoned plaid knickers, which stocking and slippers; clown stands in front of a partially drawn curtain with part of an elephant visible at left; text at top and bottom: "LE CLOWN MEXICANO / CUADERNO / No 5. / PUBLICADO / por / A. VANEGAS ARROYO. / MEXICO."

El Clown Mexicano (Mexican Clown), plate 13 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
six partial figures in a vertical placements; three vignettes of legs of figures at top; three vignettes of heads and torsos of figures below; caricatures

Los toreros (juguete) (Bullfighters), plate 14 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
four men and one woman standing in a row; men wear top hats, vests, jackets and ties; woman wears a long dress, long black gloves, a hat and a feathered boa; columns and banner behind figures; text and top and bottom: "24. COLECCION DE CANCIONES / MODERNAS / PARA / LOS LAGARTIJOS. / EDITOR / A. VANECAS ARROYO. / MEXICO."

Los Lagartijos (The Dandies), plate 15 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
alarmed looking man seated on a bed, leaning over, with his PR hand in a chamber pot; small smiling figure pulling down on the corner of the bedclothes beneath man; text at top and bottom: "POUR FINJIR ESPANTOS / DIALOGO COMICO / EN UN ACTO. / EDITOR / PROPIETARIO / A. VANEGAS ARROYO. / MEXICO."

Por Fingir Espantos (Frightened by a Ghost), plate 16 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
caricature of a standing bearded man wearing a large sombrero, jacket and vest, and tight trousers; train engine at right; train stations with people at left; text at top and bottom: "DE TORREON A LERDO / NUEVA / COLECOION / DE CANCIONES / MODERNAS / PARA 190 [illegible--not printed] / PUBLICADA POR / A. VANEGAS ARROYO. / MEXICO. / No. 16"

De TorreĂłn a Lerdo (From Torreon to Lerdo), plate 17 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

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portrait of a man with a short beard and dark wavy hair, with head turned to PL, wearing a white shirt and black jacket

Retrato (Portrait), plate 18 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
caricature of a man with wild hair and elongated nose, sticking out his tongue, with arms out and pockets inside out, with playing cards falling around him

El Jugador (Gambler), plate 19 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
silhouette of a very thin man wearing a hat, holding a pan scale over a table with the head of a bull on it

Carnicero (Butcher), plate 20 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

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man wearing a cap with a feather seated on a horse, with a spear in his PR hand, overtaking a dragon with seven heads in LLC

San Jorge (St. George), plate 21 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
couple dancing in foreground; woman seen from back is wearing a gown with a long train; band seated behind couple wearing sombreros; text at top and bottom: "LA TIPICA. / 21 / COLECCION DE CANCIONES PARA / 1894 / EDITOR / A VANEGAS ARROYO. / MEXICO."

La Tipica (Dance Band), plate 22 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
three figures at right; man at center holds rope around the neck of a black horse lying down at left; anvil, tools and horse shoes in LLC; text at top and bottom: "EL VETERINARIO / DELAS MEJORES / RECETAS / COLECCION / PARA CURAR / TODO ANIMAL / DOMESTICO / Precio 50 cs / PUBLICADO / POR / A VANEGAS ARROYO / MEXICO."

El Veterinario (The Veterinary), plate 23 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
couple seated in a small old car with white tires, seen from PR side, with decorative scrolls around edges of image; text at top and bottom: "EL AUTOMOVIL / NUEVA COLECCION DE CANCIONES / PARA EL / PRESENTE / ANO. / RECOPILADAS / por / A. VANEGAS ARROYO. / MEXICO."

El AutomĂłvil (The Automobile), plate 24 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
head and torso of woman seen from PR, holding a flower in her PL hand at her chest, with a cherub in URC; small couple seen from back in LRC; text at top and bottom: "36 MORIR SONANDO / 36 / COLECCION DE / CANCIONES / PARA 189 / PUBLICADA / POR / A. VANEGAS ARROYO / MEXICO."

Morir Soñando (To Die Dreaming), plate 25 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; the words "May before the storm" inscribed, UR

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; "May Before The Storm/Still Human" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View

%C2%A9 1989 Margery Edwards

New York 311, 1989

Margery Edwards

Not on View

%C2%A9 David Hockney

Wayne Sleep, 1969

David Hockney; Printer: Maurice Payne, London

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; citations from the poem 'Wessex Heights' are displayed in front of him like a muse or thought bubble; the words "Reading Wessex Heights/August 1987" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly; a cigarette in his PR hand; three sparrows at his feet; the words "July Among Sparrows" inscribed, UC

%C2%A9 Nicolas Africano

Study for "July Among Sparrows", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC

%C2%A9 Nicolas Africano

Study for "I'm Cold Billy, Can't Stop Shaking", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope." inscribed, UC

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View

Beginnings, 2002

Helen Frankenthaler; Printer: Brand X Editions, New York; Publisher: Lincoln Center for the Performing Arts, New York

Not on View

%C2%A9 Nicolas Africano

Smoke and Knife, 1987

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Tan handmade paper stacked and tied with linen cord through two holes on the left side; cord is knotted with loose hanging ends

%C2%A9 Michelle Stuart. Courtesy the Artist

Niagara, 1976

Michelle Stuart

Not on View

%C2%A9 Nicolas Africano

Camille, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Nicolas Africano

Camille, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Nicolas Africano

The Marriage, 1986

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; citations from the poem 'Wessex Heights' are displayed in front of him like a muse or thought bubble; a tree with bright green leaves behind him; the words "Reading Wessex Heights/August 1987" inscribed, UC; predominant colors: blue, grey and green

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; a lit cigarette in his PR hand; cream background

%C2%A9 Nicolas Africano

Study for "May 1987" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope.", inscribed, UC; predominant colors: brown, green and yellow

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "I'm Cold Billy, Can't Stop Shaking", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; legs turned slightly PL; the words "Forgiving" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly; a cigarette in his PR hand; three sparrows at his feet; the words "July Among Sparrows" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "July Among Sparrows", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind as while he walks; the words "March 1988/He tried to carry something too large./He felt like he was falling" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in the middleground naked from the waist up; he sits in a chair facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope.", inscribed, UC; yellow and brown background

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length rendering of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; legs turned slightly PL; the words "Forgiving" inscribed, UC; dark cream background

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC; cream background

%C2%A9 Nicolas Africano

Study for "I'm Cold Billy, Can't Stop Shaking", 1990

Nicolas Africano

Not on View
tan-grey fibrous handmade paper with attached rectangle of off-white paper with green vertical textured design stitched onto handmade paper backing at all four corners with grey thread

%C2%A9 Leah Golberstein

Cedar Lake, from "Intimate Immensity", 2007

Leah Golberstein; Publisher: Form and Content Gallery, Minneapolis

Not on View
rubbing in grey and brown of woodgrain patterns on small pieces of wood fit together to form a square; primarily rectangular forms, with two half-circle forms and large form at bottom with curving top

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1977

George Morrison

Not on View
black ring against gray-white ground with grey pencil line grid at center, with pencil lines radiating outward inside and outside black circle; received framed in black and silver frame

%C2%A9 Richard Pousette-Dart %2F Artists Rights Society %28ARS%29%2C New York

Circle of Multifarious Precisions, 1979

Richard Pousette-Dart

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Nocturne, frontispiece for "Nocturnal Notebook", 1944

André Masson; Publisher: Curt Valentine, New York; Printer: Printed at Atelier 17 , New York

Not on View

%C2%A9 Nance O%27Banion

The Rock Series: Zap, 1989

Nance O’Banion

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; the words "May before the storm" inscribed, UR; grey and green background

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human", 1990

Nicolas Africano

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; the words "May before the storm" scrawled UR; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind him as he walks; the words "March 1988/He tried to carry something too large./He felt like he was falling" inscribed, UC; yellow and dark cream background

%C2%A9 Nicolas Africano

Study for "March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He laughed" inscribed, UC; washy blue background

%C2%A9 Nicolas Africano

Study for "He Laughed", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; the words "May 1987" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "May 1987", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/a seashell./Learning Patience" inscribed, UC; predominant colors: washy blue background

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell, Learning Patience", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/a seashell./Learning Patience" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly; a cigarette in his PR hand; three sparrows at his feet; the words "July Among Sparrows" inscribed, UC; grey and light brown background

%C2%A9 Nicolas Africano

Study for "July Among Sparrows", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in long pants, naked from the waist up; he sits in a chair, facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" inscribed, UC; cream background

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He laughed" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "He Laughed", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward and cuts his own hair; cream background

%C2%A9 Nicolas Africano

Study for "Haircut", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward while he cuts his own hair; the words "Haircut" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "Haircut", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Plate 11 from Six Fairy Tales from the Brothers Grimm

%C2%A9 David Hockney

The Lake, 1969 (published 1970)

David Hockney; Printer: Print Shop, Amsterdam; Publisher: Petersburg Press, New York

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; citations from the poem 'Wessex Heights' are displayed in front of him like a muse or thought bubble; the words "Reading Wessex Heights/August 1987" inscribed, UC; light green background

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
paper collage with muted color elements; raised Asian character at right center; collage elements include images of a white cat, red and pink flowers, cactus, cartoonish city skyline, prayer board, diagram of a machine; red seals/stamps in lower corners and bottom right; orange ribbon attached in LRQ with a round green silk fabric element with embroidered flowers hanging in front of a mirror, with pink backing of round element visible in mirror; gold leaf edging; inside a Plexi box

Robert Rauschenberg%2C Change %2320 %28from %227 Characters%22%29%2C 1982 %C2%A9 Robert Rauschenberg Foundation

Change #20, 1982

Robert Rauschenberg

Not on View

%C2%A9 Maybelle Stamper

Easter Letter (letter to Abby Grey), April 14, 1965

Maybelle Stamper

Not on View

%C2%A9 Tom Norris-Norvoll

Untitled (Fan Warmer), 1978

Tom Norris-Norvoll

Not on View

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme II, 1981

Sam Gilliam; Printer: Vermillion Editions Limited, Minneapolis

Not on View

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